Canon has formally introduced its new RF-S7.8mm F4 STM Twin lens, which options stereoscopic parts which have been squeezed right into a physique no bigger than a conventional 2D digicam lens. It was initially teased through the Apple WWDC 2024 keynote final June and is designed to work with a Canon EOS R7 as a extra reasonably priced instrument for creators making 3D VR content material for headsets just like the Meta Quest 3 or spatial movies for the Apple Imaginative and prescient Professional.
The corporate hasn’t set a particular date for when the brand new 3D lens shall be obtainable, nevertheless it says it is going to be someday in November 2024, with an “estimated retail worth” of $449.99. That’s significantly cheaper than Canon’s present dual-fisheye lenses designed to seize 3D video content material, together with the $1,999 RF5.2mm F2.8 L Twin and the $1,099 RF-S3.9mm F3.5 STM Twin.
Pairing Canon’s new 3D lens with the corporate’s 32.5MP EOS R7 digital digicam — which itself begins at $1,299 — pushes the full price ticket of the equipment to over $1,700. Nevertheless, that’s nonetheless cheaper than Canon’s higher-end 3D options, which begin at $2,498 (and may go as excessive as $6,298) when paired with their requisite digicam gear.
Canon’s new 3D lens has an aperture vary of f/4.0 to f/16, helps autofocus, and contains a button and a management wheel for making separate handbook focus changes to the left and proper sides. What makes it a lot cheaper than Canon’s present 3D lenses is its restricted area of view. Canon’s pricier lenses are able to capturing 180-degree video and pictures — near what the human eye is able to seeing — whereas the brand new RF-S7.8mm F4 STM Twin lens solely takes in a few third of that at 63 levels.
Utilizing a regular Canon RF mount, the brand new lens has stereoscopic parts aligned in a straight optical path, leading to its entrance lenses being positioned simply 11.8mm aside in comparison with the 60mm hole between the dual-fisheye lenses on Canon’s present 3D lenses. In consequence, Canon says the strongest 3D impact shall be skilled when capturing topics or objects which can be simply 6 to twenty inches from the lens. When utilizing it to seize one thing that’s farther away, the 3D impact shall be much less pronounced.
Photos and movies captured utilizing this lens should be processed earlier than they are often considered utilizing VR or AR headsets, both by way of the EOS VR plugin that’s obtainable for Adobe Premiere Professional, or Canon’s personal EOS VR Utility software program, obtainable for Macs and PCs. Each instruments require a paid subscription however can generate 180-degree 3D, VR, or spatial video content material.